![]() ![]() “Yop, I botched it,” Ezra Pound is reported to have said of his own vastly ambitious poetic work, The Cantos, and one may wonder if Robert Musil, who worked on his book for more than twenty years, did not go to his grave feeling similarly. Musil’s assumptions, psychology, style, aesthetic goals are each distinctly and significantly different-and not only from Joyce and Proust, but from just about every other modern master one is likely to encounter. But, despite its monumentality-it is nearly 1,800 pages long-and its large cast of characters, it does not otherwise much resemble the novels of either James Joyce or Marcel Proust. The Man Without Qualities has frequently been linked with Ulysses and Remembrance of Things Past as one of the great masterworks of modern literature. But what kinds of truth can fiction be said to discover? And how does it go about making such discoveries? These large, not to say bulky, questions are at the heart of Robert Musil’s The Man Without Qualities, a vast work whose first sections began to appear in Germany in the early 1930’s and which has now been newly translated into English in a handsome edition mat includes many of the author’s notes. ![]() Milan Kundera, the Czech novelist, has spoken of fiction as a great European invention for the discovery of truth. ![]()
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